As I was researching information for a book I’m writing, I realized the peculiar fact of how common it was, in a particular period of entertainment history, to see real-life married couples join forces as comedy partners. Of course, most of us can think of many celebrity couples today who either act together, sing or dance together, and, let’s face it, seek attention however they can together. Some can be suspected of having married in the more to appease their publicists’ fantasies than out of feelings of lifelong love.
But I digress.
The couples I’m referring to came to national attention on radio in the early 1930s, when that medium virtually exploded with programs starring comedians who had already made names for themselves in vaudeville. Several of them may have begun as solo performers on the stage, but at various points in their mediocre careers in vaudeville struck gold by adding their spouses to the act, thereby setting it off in a new, and more successful direction. By the end of 1932, there were no fewer than
five real-life husband & wife couples performing regularly on network comedy programs: George Burns and Gracie Allen, Jesse Block and Eve Sully (whose popular stage act was very similar to that of Burns & Allen), Jack Benny and Mary Livingstone (real name: Sadie Marks), Fred Allen and Portland Hoffa, and Goodman Ace and his wife Jane, who starred in the very popular and highly-praised 15-minute program, Easy Aces. Goodman wrote every script himself, creating Jane’s character as one whose dialogue was filled with malaprops and mispronunciations.
These radio stars by way of vaudeville were among the many married teams–comedians, singers, dancers, acrobats–who performed and traveled together for financial as well as creative reasons. The case of Fred Allen and Portland Hoffa, who started doing a vaudeville act together shortly after they were married in the mid-’20s, was common at the time. Allen explained, “In vaudeville, when a comedian married he immediately put his wife in the act. The wife didn’t have to have any talent. It was economic strategy. With a double act a comedian could get a salary increase from the booking office. The additional money would pay for his wife’s wardrobe, her railroad fares and the extra hotel expenses.” Luckily, most of the wives did have talent, even
if some felt more comfortable as performers than others. Mary Livingstone famously suffered from stage fright, but out of all the wives, only her on-air character deviated from the “dumb dora” type. As part of Benny’s method of using himself as the butt of jokes, Mary usually got the last word in their scenes, at Jack’s expense. And, while it could be argued that married couples performing together run the risk of creating issues the rest of us don’t face, these early stars beat the odds. As Jack Benny pointed out, “We all remained married to our original mates. I know that people assume actors and actresses are bad marriage risks, yet not one couple in that group was ever divorced.”
The same goes for yet another married couple, Jim and Marion Jordan, former vaudevillians who co-created and wrote the legendary radio comedy “Fibber McGee and Molly.” The program, premiering in 1935, wasn’t an immediate hit, but within a few years, its audience and popularity increased to the point where it became radio’s top rated series in the late ’30s and throughout the ’40s. One of the many recurring gags on the show was McGee’s opening of a hall closet so fully stuffed with junk that the program’s sound effects man got a good workout conveying the ensuing avalanche that would half-bury McGee each time.
Television brought us other married couples who teamed to make audiences laugh, most notably Lucille Ball and Desi Arnaz (who divorced in 1960). I hesitate to include Ozzie and Harriet Nelson to the list, despite their long-running sitcom; they were known in the years leading up to their program as a musical couple, i.e. Ozzie was a popular bandleader, Harriet his singer. (and, let’s face it, the comedy on their sitcom barely passed as such).
Richard Benjamin and his wife Paula Prentiss garnered much attention for the launch of their sitcom He and She in 1967, but that show lasted a single season (although they remain married to this day) due to tough competition from shows like The Beverly Hillbillies. The list of married couples collaborating on sitcoms through the decades goes on, but most latter-day examples honestly aren’t as impressive–to me, anyway. I still prefer the true legends.
Until next time…